[ Read pdf ] Love MedicineAuthor Louise Erdrich – 91videos.co

The First Book In Louise Erdrich S Highly Acclaimed Native American Trilogy That Includes The Beet Queen, Tracks, And The Bingo Palace, Re Sequenced And Expanded To Include Never Before Published Chapters A Dazzling Series Of Family Portraits This Novel Is Simply About The Power Of Love Chicago Tribune This is the short story collection some call it a novel that launches the community of characters Erdrich will revisit through another five six books a form that seems entirely her own As she says in this newly revised edition Since writing Love Medicine, I have understood that I am writing one long book in which the main chapters are also books titled Tracks, Four Souls, The Bingo Palace, The Last Report on the Miracles at Little No Horse and The Painted Drum One of the things I love most about the Erdrich I ve read am reading in ass backward order , is the fluidity of the form how it s almost secondary to the stories she s telling and characters she s creating These characters have such presence, such a voice and here, their uniqueness is loud and clear, with each having his or her own space that they feel as though they are springing fully formed to life As though they have been there for eons, just awaiting their turn to speak through whatever medium is available to them or that their creator chooses in the moment It feels, as Michelangelo said of his sculptures, that the artist is simply liberating them whole from the marble or in Erdrich s case, from North Dakota land, lake, rock, and trees and from a world that is pristine, alternative, past but still present, in contrast to the one in which we, i.e., conquering white culture, live.But all of this is to intellectualize and miss the point of what, at root, is a remarkable set of linked short stories of such power, originality, poetry and range that they will take your breath away The second, Saint Marie, might be my favourite, with its portrayal of psychopathological religious conviction although A Bridge,subtle, is equally amazing as an exploration of PTSD Resurrection, one of the shortest, feels like a raw wound of mother s love and the pain of addiction and the titular Love Medicine is incredible for a variety of reasons, but in particular, the humour.Read them all. Her clothes were filled with safety pins and hidden tearsLast week I sat on the steps of a downtown pier, stalled in the summer sun, reading my 1989 paperback edition of Love Medicine With its Washington Husky purple cover and title blaring in giant Brittanic Bold white font, the book must have appeared to the uninitiated like a pulp romance Little did they know it was one of the most significant works of American fiction published in the 1980s, by an author who has become a national literary treasure Louise Erdrich squeezes the back of our neck and pushes our resisting head to look directly into the lives of Native Americans on a reservation a part of North American culture about which most of us know very little, segregated as reservations are by politics, geography, contempt, and pity And the reader doesthan observe she sees, hears, thinks, feels, loves, and suffers as Erdrich s characters do, through fifty years and the countless episodes of heartbreak, laughter, rage, and grace Love Medicine opens in 1981 with the death of beautiful but broken June Kashpaw June stumbles from a truck cab and runs from a stranger who calls her by another woman s name as he makes love to her She sets out for her home on a North Dakota Chippewa reservation, following her instincts through a later winter storm But her sharp survival skills, honed in a lifetime of living out of doors, cannot overpower the snowstorm or keep her warm in a pair of jeans and a thin jacket June s death propels the narrative down a path of memories connecting two Chippewa familes the Kashpaws and the Lamartines Love Medicine is the first in Erdrich s symphony of novels featuring characters from the fictional town of Argus, North Dakota, set in and around the reservation Although she dies in the story s opening scene, June s spirit holds the narrative together The thread of her life is woven through each character s story The author uses a conversational first person give the reader a sense of second skin with the characters Mixed in are handful of third person limited narratives that imbue the story with a lyrical, almost mythical tone The writing is gorgeous The characters are so vividly rendered, you feel them in your blood She was a long legged Chippewa woman, aged hard in every way except how she moved AH Could there be aperfect sentence She was a natural blond with birdlike legs and, true, no chin, but great blue snapping eyesGordie had dark, round, eager face, creased and puckered from being stitched up after an accident His face was like something valuable that was broken and put carefully back together.Even as the characters speak directly to you, drawing you into their secret thoughts, shames and desires, Erdrich s prose is like music, full of shifting tones and rhythms, crescendos and counterpoints Veils of love which was only hate petrified by longing that was me.So many things in the world have happened before But it s like they never did Every new thing that happens to a person, it s a first In that night I felt expansion, as if the world was branching out in shoots and growing faster than the eye could see I felt smallness, how the earth divided into bits and kept dividing I felt stars.There they were And he was really loving her up good, boy, and she was going hell for leather Sheets were flapping on the lines above and washcloths, pillowcases, shirts was also flying through the air, for they was trying to clear a place for themselves in a high heaped but shallow laundry cart.There is evil and mystery, as Marie Lazarre escapes the horror of the convent on the hill in the 1930s Sister Leopolda s fingers like a bundle of broom straws, her eye sockets two deep lashless hollows in a taut skull will haunt your dreams There are stories of betrayal Nector Kashpaw turns away from his wife for the comfort of his first love, the easy, sensual Lulu Lamartine, mother of eight boys by eight fathers June has an affair with tribal legend Gerry Nanapush, whose 6 3 , 250 pound frame cannot be contained by any prison, and leaves their son to be raised by the tribe as she had been You will ache for Henry s future, wasted in the jungles of Vietnam and pray that Albertine, the first of her family to attend university, doesn t waste hers There is deep despair, as Gordie, wretched with alcohol, hallucinates the deer he has hit is his dead wife, June He bundles the deer into the back seat of his car and the scene which unfolds is sickening and desperately sad And there is redemption and love, as tender and insightful Lipsha Morrisey, who isn t aware until he is a grown man that June is his mother, finds a way to forgive and love the woman who cast him off as Marie opens her home and heart to stray children as two old women, enemies since childhood, come together in their final years It is challenging to keep straight the shared bloodlines and histories I believe later editions contain a family tree of sorts But Erdrich explains these connected lives in a way that you realize they are like the root system of an aspen tree one tree, standing alone, is really part of a vast forest They moved in dance steps too intricate for the noninitiated eye to imitate or understand Clearly they were of one soul Handsome, rangy, wildly various, they were bound in total loyalty, not by oath, but by the simple, unquestioning belongingness of part of one organism.Whatever its flaws, and apparently Erdrich found enough to revise the book and publish new editions in recent years, Love Medicine is the reason we read to be shaken to our core by characters we hate to leave behind as we turn the final pages. Erdrich s first and still best known work because it s the one most often taught has become something of a model for the contemporary short story cycle, with interconnected stories devoted to a variety of interrelated characters spanning three almost four generations The strength here is less in story which centers on a love triangle and its effect on family ties or character vivid as they may be, they re still devoted women and unreliable men than in style I wouldn t call it lyrical because Erdrich s prose isn t incantatory, but it is poetic, with densely woven metaphors and knockout word choices that are at once imagistic and yet hallucinatory First time readers will want to keep a genealogy handy because the names can get confusing Gordie Gerry, Lipsha Lyman, etc Perhaps the neatest thing about such a book is the way each subsequent story revises the preceding one through a contrasting point of view My favorite moment is when Nector imagines his wife Marie as a fourteen year old girl beckoning him home while he stands outside his mistress Lulu s house in The Plunge of the Brave In the next story, Flesh and Blood, we discover it s actually Nector and Marie s daughter, Zelda, who has gone to fetch her father before he abandons the family I m also partial to Crossing the Water, the final selection, in which Lipsha meets his father, the legendary Native American trickster Gerry Nanapush Their dialogue is awkward, surfacy, and yet somehow fulfilling and touching, providing just the right amount of resolution to a book whose energies are centrifugal instead of centripetal The direction of those energies make it less satisfying if read as a novel if read as a story cycle, however, it s an invigorating read that makes you want to write yourself. This is such a great book.It s also a very difficult one to read because it pulls no punches about the Native American experience In this book you will read about grindingly cruel experiences, the drudgery of daily life, alcoholism and suffering, in fighting and rivalry that lasts generations Erdrich tells us about her characters in small stories, each centred around a different character Sometimes we read about the same event in different stories, told from different perspectives or perhaps by someone in the succeeding generation Erdrich tells us about her characters by telling the story of key points in their everyday lives cooking for guests, caring for a loved one in an alcoholic stupor, greeting relatives, losing a relative, visiting a forbidden lover, coming home from war In these short scenes, she describes her characters so fully, so completely, that we see them bared to the bones of who they are Yet in telling us of their weaknesses she does not diminish them I think this is what I loved the most about this book because somehow her writing has the opposite effect and lifts her characters up It s Erdrich s actual writing style that conveys this special touch and brings beauty and eloquence to it all. I recently read Erdrich s The Antelope Wife and really fucking loved it I am now planning on reading everything by Erdrich I can luckily for me she has written quite a bit over the years, so I can take my time and maybe not even run out of material Love Medicine was her first novel, published in the mid 80s This one, I understand, was revised and expanded at least a couple times since it s original publication date One might think that must be hard to do, and I think in a traditional novel it would be difficult to piece together a cohesive story over the years But you will find with Erdrich at least with the whopping two experiences I now have with her that her stories already are sort of a patchwork quilt to begin with, so adding material over time would not complicate anything Nothing gets lost along the way It s practically, I think, seamless.The story is about a group of Chippewa on a reservation in North Dakota, spanning a period of about 60 years As with The Antelope Wife, I started reading this with a bit of trepidation Each books start with one character, or one perspective, and then the next chapter is another, and so on Time jumps throughout history though those chapters are clearly defined so you re not entirely lost, but it can take a bit to acclimate oneself to the switch , perspectives change with the characters Personally, I love reading stories that are told through the eyes of different characters, for I m a huge proponent of the whole There s three sides to every story my side, your side, and then the truth , so when an author is able to portray exactly that without making me hate any of the characters, I find that pretty powerful and skilled.I will not say I made a connection to every character It is difficult especially in Love Medicine to keep track of who is related to whom and the lines of history which cross and crisscross throughout the book Erdrich does expect her readers to pay attention Some editions I have seen have a family tree my copy, a book club edition that claims to be new and expanded version , does not have a family tree What I understand, however, is that those with the family tree didn t have much better luck keeping track of everyone anyway My point is, it s just not easy, and that s okay because a family history is never that easy.Erdrich has a way with words that really appeals to me I wish I could be as eloquent and articulate in anything I write, but this is why she is a master that is beloved by pretty much everyone I have ever met who has read her.I will slowly make my way through Erdrich s oeuvre, but not all at once because I think that would be overwhelming I feel her writing is the sort that deserves to be savored, and should not be a binge read She deserves our attention for her portrayal of Native Americans without being condescending, patronizing, or flippant She recognizes the very real problems that have occurred over the years, and continue to occur Her thoughts, for example, on the pipe line right now would especially interest me I hope to one day read her thoughts on the matter, or a book about the experiences of those it affects the most though it affects us all, let s not forget that The red eyed moths had come out of the trees where they hid themselves, looking exactly like dead lives Drawn by the bright flames, they d come helplessly to burn p286 I mean, wow. If you find yourself back in the 1990s and in a college course called Native American women authors, you should definitely read this book All other people, including time travelers, should skip it. A remarkable report from Chippewa country I finally get Erdrich in a way that The Round House, with all of its successes, failed to grab me I have read from many Erdrich fans how she s an author whose books they read over and over I am not a big re reader, even of my favorite books I re read passages and lines, and a cherished favorite once in a blue moon, but there s so little time and too many books but while reading this, I understood her fans and I can now count myself as one of them insistence on traversing her words over and over again Her language is elegant and storied without pretense, and her characters and their lives are developed like perfectly portioned slices of cake Erdrich s books remind non Natives that Natives are not dead or mythical or Other, but human beings struggling to make their way like everyone else with, perhaps, a different set of parameters and restrictions and ghosts bearing down, but inhabiting this planet and its cities and its technologies and its heartbreaks, too. Sometimes the books I enjoy most are the ones I have the least to say about And what can I add to Toni Morrison s comment that the beauty of Love Medicine saves us from being completely devastated by its power Because reading this book is living, in sweetness and beauty and love, even when it tells terrible things.It s life and there are as may ways of looking at it as there are minds to see, but in so far as these folks have been and still are fighting for survival, not just of the individual bodies but ways of being alive together and the deathlessness of stories It s a fight fought ducking and rolling and with tricks of all styles, with one paw tied behind my back Sometimes it s fought by going with the flow, by listening to the heart or the spirit or the craving of flesh, and seeking what s wanted Sometimes it s fought in humility or by letting go, sometimes by audacity and pride in the face of censure There are losses and grief, but the dead travel with the living I know it s life because Erdrich s approach to character is to call people into being and tell their stories as they come to her The structure here is not beginning middle end but stretched in directions of flow, wandering, straight, circuitous Rise, fall, in, out, up, down, under and behind, around over and through, branchings and remeetings It is a riversong, speaking all seasons and all weathers, telling melodies of snow and starlight, drought and storm You can jump in anywhere anytime and feel the voices of Erdrich s people, feel their loves and ties.Erdrich and her characters deal with racism and colonisation with a wry attitude I had to laugh as well as sigh at the The Plunge of the Brave , Nector Kashpaw s account of the modelling and acting opportunities offered to him that inscribe ever deeper the mythology of the vanishing native Endless facsimilies of his image dying in regalia could be exhaled into the already poisoned cultural atmosphere.This text is allusive, rich in the symbolic, like the egg June accepts from a stranger in a bar such openness It speaks desperation but also the relentless will to survive and flourish somehow , or the huge baby, distilled from immense vivacity, weightless on the commercial scales Its philosophical skein is stretched over a mystical Catholicism as well as Ojibwe culture and the hollowing horror of North American modernity in poverty Each character story has a place in the weave, and sees the lie of land and worldscape differently, and each has their own genius for love, for getting money, for healing, for raising children Lulu was bustling about the kitchen in a calm, automatic frenzy She seemed to fill pots wth food by pointing at them and take things from the oven that she d never put in The table jumped to set itself The pop foamed into glasses, and the milk sighed to the lip The youngest boy, crushed in a high chair, watched eagerly while things placed themselves around him Everyone sat down The the boys began to stuff themselves with a savage and astonishing efficiency Before Bev had cleaned his plate once, they d had thirds, and by the time he looked up from dessert, they had melted through the walls The youngest had levitated from his high chair and was sleeping out of sight The room was empty except for Lulu and himselfEven as I was reading I couldn t wait to read this again. Love Medicine is a multigenerational novel about two interrelated families living on a North Dakota reservation from the 1930s to the 1980s It s written as a series of 18 interlocked stories that often tell about the same situation from a second character s point of view Native American myths and tricksters color the stories The author uses wonderful imagery involving water, fire, bridges, and religion The characters are very conflicted, hanging on to old traditions while living in a modern world Poverty, abuse, and alcoholism are major problems There is a real sense of family love from the two matriarchs of the Kashpaws and the Lamartines These complex characters are brought to life through Louise Erdrich s exceptional writing.